The Brittens are involved in a fatal car crash. It was filmed in Los Angeles, California, and continued and introduced key thematic elements to the series. Isaacs found "Say Hello to My Little Friend" the most difficult to shoot, and had to imagine an awful thing happening to his family. Shortly after this episode was broadcast, NBC announced their decision to cancel Awake, due to declining ratings, although NBC still decided to air the remaining two episodes in the show's original time slot. Meanwhile, Hannah deals with Emma's new baby by trying to convince her parents to let her keep the baby. He is unable to switch realities, consistently hallucinates and realizes that Ed Hawkins ( Kevin Weisman), a detective who is working with Michael's former partner Bird ( Steve Harris), was attempting to kill him in the crash.
In this episode, Michael passes out during a bungee jump while he is at a carnival with Rex and Emma ( Daniela Bobadilla). In one reality, in which he wears a red wristband, his wife Hannah Britten ( Laura Allen) survived the collision, and in another reality, in which he wears a green wristband, his son Rex Britten ( Dylan Minnette) survived.
Say hello to my little friend series#
Directed by recurring guest actress Laura Innes, the episode generally received positive reviews, with many critics claiming that it was the best episode of the series since " Pilot" and that Jason Isaacs' performance deserved an Emmy Award.Īwake centers on Michael Britten (Isaacs), a detective living in two separate realities after a car crash. Written by Leonard Chang and series creator Kyle Killen, "Say Hello to My Little Friend" earned a Nielsen rating of 0.9, being watched by 2.51 million viewers upon its initial broadcast in the United States. " Say Hello to My Little Friend" is the eleventh episode of the American television police procedural fantasy drama Awake, which originally aired on NBC on May 10, 2012. See Film Listings for Austin locations.11th episode of the 1st season of Awake " Say Hello to My Little Friend" WTF?įathom Events will screen Scarface in a restored, HD transfer with enhanced 7.1 audio and "bonus extra features" on Wednesday, Aug. Turns out the fucking world is his after all. Tony fucking Montana, immigrant outlaw and evil motherfucker trapped in a world entirely of his own creation, both onscreen and off. Countless references to everything from hip-hop (Scarface, ad nauseam) to punk (Blink-182 took its name from the number of times Al Pacino sneers the word "fuck") to parodies galore (YouTube it: There's gotta be at least a thousand of 'em), De Palma's film is the glossy grindhouse flick that Just. Tony Montana (the bad guy, remember?) has his little friend, his mountains of blow, black-hearted immigrant striving, and Michelle Pfeiffer. Scarface, for better or for worse, is as much a part of one generation's pop-culture landscape as Star Wars has become for another's. Death becomes Tony Montana – before Tony Montana becomes death, that is. "Say hello to my little friend" wasn't just a firepower boast in Stone's testosterone-engorged script, it's all about the power of the bang – sexual, phallic, conniving, and, ultimately, utterly tragic. It was then-fledgling director ( The Hand) and writer Oliver Stone's seething, subtext-bloated screenplay that put the words in Tony Montana's mouth. A veritable orgy of bullets, blood, bombs, the word "fuck" in all its glorious permutations, sex, drugs, and naked illegal immigrant ambition, De Palma's updating of Hawk's classic for the greed-consumed Reagan era has grown into a pop-cultural (F) bomb of nuclear proportions.Īnd it's not just Al Pacino's take-prisoners-but-torture-them-before-you-snuff-'em performance that makes Scarface so endlessly, effortlessly watchable. Personally I prefer Howard Hawks 1932 original – with George Raft, Paul Muni, and Boris Karloff, what's not to love? But let's face it, it's Brian De Palma's operatic 1983 Scarface that's withstood the test of time, and, to be fair, it's an outrageously entertaining exploitation film conceived and executed by a master filmmaker.
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